ストックホルムのガムラスタンという街のホテルにて、数日間の大雨で立ち往生する羽目になった。ガムラの意味は確か以前書いていたかな。要するに、この街は石畳の旧市街だよ。窓辺から見下ろす玉石敷きの細通りはいつ見ても魅力には映るけど、こうまで雨が降ると一足外に出るのも億劫だから、部屋でただ曲と詩を書いてる。
ヘンリーダーガーのことを一度話したかったんだ。イリノイ州シカゴのワンルームのアパートで、彼は60年以上に渡ってずっと一人で物語を描き続けた。知ってるかな。誰に見せるわけでもなく書き重ねられた彼の作品は、彼が死の半年前、施設へ入れられた後になって、初めて他人の目に触れることになった。1万5145ページの小説原稿と、数百枚の挿絵だよ。今でも、単一では世界一長い長編小説なんだ。
本当は僕たち創作家は、みんなヘンリーダーガーであるべきなんだ。評価や名声や、お金や権力なんてどうでも良い筈なんだ。ただ無欲に、本当に自分の為だけに物を作れる人間が、世の中にどれくらい居るだろう。ずっと考えていた。彼はきっと作る行為自体に幸せを見出していたんだろう。幸せの価値なんて人次第だけど、その幸せすら客観的に測れるものでないのなら。生き方自体がその指標になるのだと伝うのなら。それなら、僕のしてきたことはただの倒錯だ。
売れるものを作りたい、他人よりも良いものが書きたい、ただ認められたいという理由しかなかった。どうして彼奴だけが評価されるんだと愚痴を垂れる。妬み、嫉みを原動力に創作を続ける。それなら売れないなりに割り切れば良かった。何か仕事を見つけて、生活の合間にものを書いて、苦し紛れでも幸せを見つけなければいけなかった。僕の音楽への在り方は、間違いだ。そういうことが漸く解ったんだ。それだけのことだったんだよ。でも、もし仮にそうだとして、僕のしてきた生き方が少しも正解に掠らないものだったとして、
それじゃあ、あんまりにも不毛じゃないか。こうまでして生きてきた僕たちが、あまりに報われないじゃないか。
エルマ。君ならどう思うんだろうか。
It's been raining heavily for a few days, so I've ended up stuck in a hotel in a part of Stockholm called Gamla stan. I feel fairly certain I already wrote about the meaning of "gamla" before. But in short, this neighborhood paved in stone is the old town center. Whenever I look down from the windowsill and see the narrow alleys and their expanse of rounded cobbles, I feel drawn towards them, but with this rain being what it is, putting even one foot out the door is troublesome to say the least, so I've just been in my room, writing songs and lyrics.
I wanted to talk briefly about Henry Darger. In a single room apartment in Chicago, Illinois, he spent 60 years continuously drawing up stories, all by himself. I wonder if you've heard of him. He had never made things with the intent of showing them to anyone, and so it was that the first time any other person laid eyes on them was after he had been committed to an institution, 6 months before his death. 15,145 draft pages of a novel, and a few hundred accompanying illustrations. It remains the world's single longest long-form novel.1
Really, we creatives ought to all be our own Henry Dargers. Good reviews and renown, money and power, none of those things is supposed to matter at all. But I wonder how many people there are in this world who can truly just make something only for themselves, without any other desires. I'd been thinking it over for a long time. Darger must have found happiness in the very act of making things. The value, so to speak, of happiness varies from person to person, but if that happiness is not even something that can be measured objectively... If it follows then that one's way of living must itself become its own index... Then if that's the case, everything I've done up until now has been just a perversion2.
I have no reasons to do this other than wanting to make things that will sell well and be popular, wanting to write works that are better than others', just wanting to be recognized. I whine and complain about how it's only ever other people being appreciated. Envy and jealousy are the forces driving me to continue creating. I wish I could have been satisfied going on without gaining any particular popularity. I needed to just find some sort of job, then write things in my daily life when I had the time, find happiness even in the depths of pain. My approach to music is all wrong. I finally understand that. That's all it ever was. But, say hypothetically that all of that is true, that the way I've lived up until now doesn't come close enough to the "right way" to even brush by it as it passes,
then, wouldn't that be just too fruitless an end? Isn't that too little reward for us, for having lived like this all this time?
Elma... I wonder what you would think.
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<--- [5/31] In June, I'll Write the Streets After the Rain (六月は雨上がりの街を書く)
[5/15] In May, From the Paris Green Windowsill (五月は花緑青の窓辺から) --->
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Show/hide footnotes
1 The work being described here is In the Realms of the Unreal. While Darger did live alone, writing continuously for 60 years, In the Realms of the Unreal didn't take that full time to write, instead being written over a period from around 1910 to around 1939. Darger wrote at least two other massive works in his life, totaling an additional 15,000 pages. Art historian John MacGregor called In the Realms of the Unreal "unquestionably the longest work of fiction ever written" (Wikipedia citation), but it doesn't otherwise seem to be widely recognized as such.
2 倒錯 (tousaku, "perversion, deviance") is a homophone for 盗作 (tousaku, "plagiarism"). Plagiarism, theft of ideas, and the artist's debt to other artists and styles is another topic that n-buna is preoccupied with throughout his works, and is the titular main theme/inspiration for one of Yorushika's later albums, Plagiarism (盗作).