6/26
ゴットランド島のヴィスビーはヴァイキング時代に繁栄し、衰退した貿易都市で、今も中世の匂いが色濃く残る遺跡の街だ。輪壁と呼ばれる、街の周囲をぐるりと囲む城壁は中世に作られたもので、年月が経っても変わらない姿を見ることが出来る。その街のホテルの一室で僕は筆を執っている。街の中央にあるアルメダールの公園はこの季節、花が咲き乱れていて、木造りのベンチに座れば目前を鳥が歩く。街の教会の鐘が遠くから鳴る。後は何だろう。海が凄く綺麗なんだ。随分遠くまで来た。旅に出る前が、なんだか懐かしいよ。
今日書くのは、小難しい創作の何たるかが云々じゃなくて、ただ僕個人の詩だ。以前は僕にもプライドという物があって、作品を貶されれば、その貶された分だけ怒りが湧いてきた。どれだけこっ酷く否定されても、それすら覆すだけの作品を作ろうと思っていた。毎晩、月明かりを頼りにペンを執りながら、殺したい程憎い奴らを見返すことだけを考えた。負けて溜まるものかなんていう、青臭い反抗心が僕のガソリンだった。創作の一番の原動力は怒りだっていう言葉を、自分で良く理解していたものだ。
昨夏の初め頃だったかな。ある日の夕方に、僕は久し振りに駅前のロータリーでギターを抱えて歌を歌っていたんだ。路上ライブというやつさ。ずっと続けていたバイトを辞めてから、惰性で曲を書いていた時期だ。人通りの少ない場所だった。向かいの商店街に燻るようなオレンジの茜が差していた。偶に通る学生や社会人、若い男女、老人が軽く足を止めて、興味を失ってまた去っていく。その繰り返しは当たり前のように変わっていなかった。
曲間のチューニングを終えた時だった。ふと目の前を見ると、中年の男性が立ち止まって此方を眺めていた。僕は軽く頭を下げて、ギターを持ち直した。次の曲を弾き始めてから数分間、彼は何も言わずに歌を聴いていた。伴奏も終盤に差し掛かった時、興味を失ったかのように身体を前に戻して、彼の感想は一言だった。
「詰まんない歌だな。」って。僕はそれを聞いて何を思ったと思う?
どうでもよかった。
どうでもよかったんだ、エルマ。僕はそこで演奏を止めて、向かいの商店街から帰路に着いた。あの日見た夜紛いの夕暮れを、僕はまだ忘れられないままでいる。
6/26
Visby, on the island of Gotland, was at its peak in the Viking Age, and even now, when it's a trade city in decline, a pronounced medieval atmosphere still lingers over its ruins. The "Ringmuren", or "ring wall", is a defensive wall that circles around the town's entire perimeter. It was built in the Middle Ages, and you can still see it today, its form unchanged by the passage of the months and years. I've been taking up my pen and writing, in a hotel room there in Visby. Almedalen Park, in the center of the city, is overrun with flowers this time of year, and if you have a seat on one of the worked wooden benches, birds will stroll by right in front of you. In the distance, the town church's bell rings out. What else... The ocean is very beautiful. I've come quite some distance. The time before I set out on my travels feels somehow long-ago and nostalgic.
Today I'm not writing any tiresome little thing about the nature of creating art, etc etc. This is my own personal song. Even I had "pride" once; if others spoke poorly of my work, I would get angry in proportion to how poorly it was spoken of. I figured that no matter how harshly I was denied, all I had to do was make something that was enough to prove them wrong. Every night, clutching my pen and writing by moonlight, I thought only of proving that I was above them. I hated them so much I could have killed them. Like hell was I going to lie down and just let them win - that naive rebellious spirit was like my gasoline. I understood well the saying "rage is the greatest driver of creativity".
It was sometime last summer, I think. One evening, for the first time in a long while, I took my guitar to the roundabout in front of the train station and sang there. A street performance, you know. Having quit the part-time job I'd had for so long, I was in a period where I was writing songs only by force of habit. There weren't many people passing by there. A vibrant red-orange glow smoldered in the shopping arcade across the way. Students and workers, young men and women, and senior citizens passing by would pause, and then, having lost interest, move on again. This cycle repeated as a matter of course, unchanging.
It happened after I had finished adjusting my tuning between songs. Suddenly, when I looked up, a middle aged man was standing there, looking my way. I glanced down and adjusted my grip on my guitar. I started playing the next song, and for a few minutes, he silently listened. When the accompaniment was nearing its end, he seemed to lose interest and turned back the way he had been going. This was all he had to say.
"Pretty boring song." What do you think I thought, when I heard that?
I don't care.
I didn't care, Elma. I stopped performing that moment, and started making my way home from my place across from that shopping arcade. To this day, I still can't forget the twilight I saw back then, that was so like the night.
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<--- [5/15] In May, From the Paris Green Windowsill (五月は花緑青の窓辺から)
[7/1] Like the Night (夜紛い) --->
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